My creative practice is rooted in the physical translation of the subconscious, using the deep-dimensional layers of glossy epoxy resin to build tactile landscapes. By steering away from recognizable subjects, I allow the work to survive purely on the momentum of vivid color interactions and the transformation of raw form.

This exploration is divided into two distinct physical expressions that mimic my shifting relationship with the canvas. Through The Fluid Grid, I build strict geometric frameworks, testing how far I can physically contain a liquid medium. Conversely, the Resonance collection abandons these hard parameters entirely. By shifting my movements to soft, serpentine paths, I navigate the shifting topography of my own mind—steering the resin just enough to mirror the quiet geography of a dream state or an alternate reality.

Ultimately, my work is a continuous cycle of visual evolution rather than a fixed concept. Guided by the changing weight, transparency, and physical behavior of the resin, each pour reveals a new path of expression. What remains on the canvas is not a static memory, but a live, active dialogue between my inner world, the shifting material, and the final viewer.